He purses his lips and hits the clue trail. When a young stripper is found horribly mutilated, a local yellow journalist hires the incredibly fey Fire Island resident in transit Abraham Gentry – a kind of ambiguously asexual private eye – to solve the case. This week: Godfather of Gore Herschell Gordon Lewis delivers his slasher swansong. So grab your trusty raincoat, pull up a chair, and discover what the grindhouse was really all about as we introduce The Beginner’s Guide to Exploitation. But they too represent an important element in the overall development of the medium. Sure, there are a few dull, derivative drive-in labors to be waded through, movies that barely deserve to stand alongside the mangled masterworks by the format’s addled artists. Friedman and Harry Novak, many of the subjects that set the benchmark for cinema’s startling transformation in the Me Decade would have been impossible to broach. Without the work of directors like Herschell Gordon Lewis, Joe Sarno and Doris Wishman, along with producers such as David F. Many film fans don’t recognize the importance of the genre, and often miss the connection between the post-modern movements like French New Wave and Italian Neo-Realism and the nudist/roughie/softcore efforts of the era. As part of a new feature here at SE&L, we will be looking at the classic exploitation films of the ’40s – ’70s.
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